Art is a Network
Logging into The Wrong

More Than Human
More Than Machine

Extraction, Computation, Resistance
The 5th Industrial Art Biennial. The Vast Automaton

Four Worlds, 600 Works, One Unforgettable Journey:
Inside 'Exposition Générale'

The myth of ‘Being’
Ivana Bašić’s world of transmutations

The Viewing Machine
The Radical New Fondation Cartier

When the Game Plays You
Inside Mélanie Courtinat's "Indulto"

Ryan Gander
"I’ve Fallen Foul of My Desire"

Love as Instrument: Alice Bucknell
Dismantles the Myth of Human Supremacy

In the Algocene
Autonomy is Indistinguishable from Servitude.

Loops of Becoming
Philip Ullman's 'Preoperational Model'

Co-Evolution Without End
Eunjo Lee's Trilogy as Living System

Sorry Sun
A Quiet Triumph of Poetic Resistance

Eleven Artists, Two Years, One Question
Who Really Controls Technology?

Octobre Numérique
Where the Digital Dissolves Into Life Itself

New Ways of Seing Festival
Rethinking How We See

The Glorious Sludge:
Most Dismal Swamp "The Bastard Fields"

A Modern Prophecy
Auriea Harvey's Poetic Resistance at Arebyte

Libby Heaney
The Quantum and the Sublime

The Visionary and the Virtual
EPOCH Transforms Art in the Age of AI

Subject to Change
A Pause in the Age of AI

Rirkrit Tiravanija
In Aliens We Trust

Between the Car and the Forest:
aurèce vettier’s Resonant Dream

The Silent Power of Witness
Malashchuk and Khimei's Masterful Restraint

The Chapel and the Screen
OFFSCREEN Achieves Curatorial Perfection

Accumulation and Obsolescence
Lovid's Ever-Growing Electronic Graveyard

Peter Doig: House of Music
Play it again. And again. And again.

Forget 'Computer Says No'
The Real Danger is When the Machine Says Yes.